BIO
Re Jin Lee’s work is a unique assembly of individually rolled-out clay slabs and coils created by a 'hand and clay' collaboration inspired by the contemplative process of ceramics and belief in the power of simplicity. A native of São Paulo, Brazil, and of South Korean heritage, Lee draws inspiration from the amalgamation of modern Brazilian architecture, such as the works of Oscar Niemeyer and Lina Bo Bardi, Portuguese colonial architecture, and traditional Korean arts. Initially venturing into the field of fashion design and styling while residing in the United States, she eventually discovered her passion for art and design.
Her recent solo and two-person exhibitions include In Bloom (2023) and The Sublime and Formed (2022 and 2021), curated by Cas Friese at Arden + White Gallery, New Canaan, CT. In 2025, her work was featured in Interwoven Gestures, a three-person exhibition curated by Cas Friese at Arden + White Gallery; as well as in the group exhibitions All the Light and Shadow, curated by Alyson Baker and presented by River Valley Arts Collective in partnership with Manitoga / The Russel Wright Design Center; Cross Section, curated by Dana McClure at Ravenwood; and Wild Minded at Wild Minded, Kingston, NY. Her work has also been included in On the Grounds, curated by Alyson Baker & organized by River Valley Arts Collective at the Al Held Foundation, Boiceville, NY (2024); Where Land Meets Sea, curated by Jane Yang D’haene, Stroll Garden, Los Angeles, CA (2023); Art + Nature + Home, curated by Kate Orne for Upstate Diary at Foreland, Catskill, NY (2021); and Pictures and Vessels, curated by Rami Kim at Keystone Gallery, Scott City, KS (2015). Lee earned her degrees in Art, Fashion, and Design from FASM (São Paulo), Central Saint Martins, London College of Design (London), and Istituto Europeo di Design (Milan).
Pronounced: Re-jeen Lee - /ˈre.dʒɪŋ/ , /li:/
STATEMENT
I am a sculptor working primarily with clay, using an intuitive, additive process. My work is shaped by subconscious influences and surroundings, though these inspirations often become clear only after the piece is finished. This sense of hindsight is central to my practice, where understanding comes after the creation. Clay allows me to embrace mistakes and let go of control, which brings out memories and emotions in unexpected ways.
NAIANA NAMI
With a deep appreciation for the interplay of traditional craft and contemporary art, Re Jin embraces a modest role as a contributor to the artistic community through Naiana Nami. She also serves on the board of Pocoapoco, a 501(c)(3) nonprofit organization based in Oaxaca, Mexico, dedicated to fostering collaboration between artists, thinkers, and cultural practitioners through interdisciplinary programs and residencies. Motivated by a desire to foster appreciation for heritage and hands-on artistry, she is committed to creating opportunities that empower both artisans and supporters to engage with their creativity and cultural traditions in meaningful ways.